Upcoming concerts

Niladri Kumar at Jazzkaar: A Clockwork Music (or not)

on Wednesday, 04 May 2011.

Your concert was scheduled at 3pm. Apparently it's not a common time for a music concert.
No, it is not. 3pm is time for a siesta! But it has been very nice to play at 3 o'clock for the simple reason that in Indian music we sometimes create melodies for this time of the day. So, one of the patterns we've played is a melody to be played between 3pm and 5pm. I got the chance to play that so the schedule was perfect!

So your music might be adjusted to a specific timetable?
Yes. Actually, you have to make it fit because you never know at what time you will have to play in the next event. And you can't play the same at 3 o'clock in the afternoon than at 9 o'clock in the evening.

During the concert both of you, Talvin and Niladri, were sweating a lot. Is it the proof you've been working out?
First of all, it's the proof that we felt hot [laughs]. But if I change the question, I think you really need to sweat up to fully enjoy what you practice.

How much do Niladri Kumar and Talvin Singh trust each other? During your show, you were continuously looking at each other.
Our music is most of the time improvised. But it's improvised within a form. Talvin Singh comes from the tradition of the Indian music, I come from the traditional of the Indian music so we work together as a pump. And what's happening on the stage is undoubtedly part of the pump. So, sometimes we are excited, sometimes we are skeptical, sometimes we appreciate and, indeed, we just express that. All the moods flow there! It's like having a normal conversation but without words.

How much important is sitar [a classical stringed Indian music instrument] for whole Indian music and, particularly, for Talvin Singh and Niladri Kumar's music?
According to most people, sitar is probably one of the most valuated Indian music instruments. Actually, a very good contribution to Indian music has been to popularize sitar. Sitar has a long history and it's very important that our generation know the sitar and try to keep the tradition. That's why sitar is important: for its own function, for the music and for the history.

As you said, your music is about improvisation. But how much background is behind your improvised music?
The background is very important because it's what gives you the tradition to work as a pump. And then, as a pump, you are allowed to find the assessments... It's like you need to do the rules if you want to make them.

JK: Singh ja Kumar panustasid naturaalsele kõlale

on Saturday, 23 April 2011. Posted in Uudis, Kõik uudised, Arvustused

JK: Singh ja Kumar panustasid naturaalsele kõlale

Eelhäälestusena lisainfot lugenuna eeldasin rohkem modernseid lähenemisi. Singhist arvasin, et ligi pool tema heliloomest on elektrooniline biit ja drum’n’bass, millega tablade saundi osav liitmine on üks tema leivanumbreid. Kumari tuunitud sitarist oleks eeldanud, et kui juba pill on selline, läheb ka kõlapilt palju progemaks kui see tegelikult läks. Kava põhimaht ehitati üles naturaalsete kõladega.

Elektroonilisema maitse andis vaid avalugu, mis koosnes mitmekordselt sisse mängitud kihilisest muusikast. Arvestatav osa sellest – saatefoon ja põhi – tuli laptopi vahendusel, millele kumbki muusik lisas oma kihi. Selles loos demonstreeris Niladri Kumar oma sitari eripära maheda meloodiapillina, mis pakkus euroopalikku elektrikitarri kõla. Ergutavalt mõjusid lihtsa meloodiafraasi kordused, saadetuna tihedast põrisevast tablatäidisest.

Seejärel algas kontserdi meditatiivne plokk. Avaloole järgnes pikk ja otsinguline sitari soolo, mis elavnes alles tablade lisandumisel. Tõusude ja vaibumiste saatel hulkus muusika euroopaliku muusikataustaga inimese jaoks suhteliselt võõraid radu. Mõnusamalt kõlasid võrdse tööjaotusega lood, kus tabladel ja sitaril oli võrdselt kaalu.

Pärast naturaalsete saundide ja eksootilise algupära ulatuslikku demonstreerimist pöördus duo kontserdi teises pooles tagasi elektrooniliste abivahendite poole. Tugev biit ja baasmeloodia tekitasid taaskord mõnusa kihilisuse, ja kuigi see osa mõjus vähem eksootiliselt, tundus see kuidagi jälgitavam ning seetõttu ka nauditavam.

Lõpupaladesse ajastusid rajumad käigud sitariga, nii et päris tulemata proge ikkagi ei jäänud. Duo pakkus hoolikalt doseeritud tuliseid hetki ning lõpuloos asendus uinutav meditatiivne meeleolu tugeva rütmi ja intensiivsete sitarisoolodega. Ümberhüpet euroopalikule helikõlale markeeris hooletult muusikasse visatud „Für Elise” motiiv, mille publik juubeldades vastu võttis.

Kogu kontsert eeldas tähelepanelikku kuulamist. Muusikutel oli jutustada oma lugu, sest püsiti ju siiski plaadimaterjali piirides. Kes suutis järge pidada ning tegi kaasa kõik võnked India traditsioonilise muusika tõlgendamise teel, sai kena elamuse.

Mustpeade Majas 22. aprillil 2011 kell 15.00
Talvin Singh, tablad, laptop
Niladri Kumar, sitar